This Floating Excrement Was Far Too Meaningful! It's the TV Letdowns of the Year.

As we consider the TV offerings of the past year, a handful of series emerge not for their brilliance, but for their notable shortcomings. Ranging from awkward spin-offs to confusingly poor docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Burdened with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the final season started, it seemed as if it had at last found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner announced this would be the last series. It ended on a bum note; the lingering shot of Miranda’s loo flooded with poo was just way too on-the-nose. Still, fans undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this drama's issues. The recipient of a exceedingly uncommon no-star review, it was hard to know where to start enumerating the flaws. The hilariously wooden writing? The tedious veneration of affluence and materialism? The seemingly wilful parade of tropes? Acting so bad they felt borderline spiteful? Suffice it to say “all of the above” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while failing to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be reserved for the people who have had to endure proximity with this charismatic but dismissive egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just really boring; a dispute over drug-selling territory between various London picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised ventures into twee homemaking as deliberate statements. But then you watch them and are forced to admit that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about both Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Rather, the viewing was like reading a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star playing dead and a well-known personality managing her inheritance. What more could you want? As contestants competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to emulate something way beyond it.

Too Much

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart recruitment of gifted younger comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated with care. Rather, the series struggled painfully to find the right voice, lurching from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? No! This globe-trotting thriller about government agencies targeting – and eliminating – intellectuals honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality renowned for sexual exploits as she undertook her biggest challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

Andrea Johnson
Andrea Johnson

Freelance schrijver en lokale marktexpert met een passie voor Rotterdamse cultuur en culinaire ontdekkingen.